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Monday, October 12, 2026
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Healy Fires Another Hundred to Propel Australia into World Cup Semi-Finals

The Australian skipper has executed outstanding consecutive hundreds to lead her squad into the semi-finals of the Women's Cricket World Cup, motivating them to a commanding 10-wicket victory over Bangladesh.

Healy remained not out on 113, coming just a few days after her similarly stellar 142-run knock that defeated hosts India at the same Vizag venue. This time, she shared an unbroken 200-run opening partnership with her opening partner (84 not out) to dash to their target of 199 in just 24.5 overs.

“I felt I was a not at my best with the gloves, and probably a little bit as captain as well tonight, but we’ll accept the two points and progress,” she said.

Ironically, the supreme expertise of Thursday’s run-chase as the duo added 202 followed possibly the team's weakest performance in the field under Healy’s stewardship, with the captain scolding herself in especial for spilling two of the six catches that were missed.

“I felt somewhat let down with my glovework, and I needed to compensate with the bat, and luckily got the job done,” Healy continued.

Since data was initially taken on fielding metrics in 2013, the six missed opportunities represented Australia’s poorest fielding display at a Women’s World Cup.

“Maybe it’s just that phase of the competition – we’ve been here a little while, and it’s an issue we’ll analyze,” Healy said.

It helped the opposition to manage 198 for 9 after they had chosen to bat, their highest score in an ODI against the Aussies, with a key batter compiling the first fifty ever for the Asian side against the reigning champions.

But Alana King spellbinding unbroken ten-over bowling performance, in which she claimed 2-18 with four maidens, was vital to ensuring Australia’s chase remained manageable.

Healy Pleased with Win that Confirms Knockout Place

Healy was delighted to learn that the triumph, which places her unbeaten team at the top of the standings on nine points after four victories and a wash-out, guarantees them a berth in the semi-finals. “That's fantastic,” she said.

The experienced captain sped to her century off just 73 balls, the fastest century of the tournament, and finished with 20 fours off the 77 balls she faced as she accelerated from her partner in the latter stages in the innings after they had gone almost shot for shot towards their fifties.

The Opener Shines with Maiden World Cup Fifty

Left-hander Phoebe Litchfield hit 12 fours and a six, reaching to her first World Cup fifty off 46 deliveries shortly after her partner got there off 43. They went on to achieve the third-highest partnership by any Australian duo at a Women’s World Cup.

In the first innings, during the sluggish fielding effort, Healy dropped the simplest of edges off Darcie Brown and also was unable to grasp a difficult skied one off another bowler. Annoyingly, she also take a clear catch off the same bowler but didn’t have it reviewed when the umpire rejected their shout.

The reinstated Darcie Brown bowled the fastest deliveries at the World Cup so far but was nonetheless the Aussies’ most expensive bowler, conceding 52 runs without a wicket off her nine overs.

Spinners Thrive as King Stars

Instead, the spinners thrived, led by King, whose performance could have been even more productive if Beth Mooney hadn’t missed one in the slips.

Other spinners Georgia Wareham (two for 22 off seven) and Gardner (two for 48 off nine overs) both contributed, while Sutherland strengthened her standing as the tournament’s top wicket-taker with her two for 41, taking her tally to 13.

A batter's 44 and Mostary’s not out 66 runs off 80 balls took Bangladesh to their highest-ever score against the Aussies, but the target was made to look easy meat by a team who had chased down 330 runs against the Indian side a few days earlier.

“It’s always nice when you’ve got the ‘Q’ beside your name in a global tournament,” remarked player-of-the-match Alana King. “No doubt it doesn’t stop here. We look forward to returning to the next venue to take on England and South Africa.”

The writer

Ricky Smith

A cultural critic and media analyst with a passion for uncovering the stories behind UK arts and entertainment.

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